Biography

Leo was born in Nürnberg on December 4, 1911.  He came from a generation of decorators/painters.  His grandfather Konrad had a business in the Veillodter Strasse, where he lived with his wife Babette.  Leo's father Fritz continued the business, but moved with his wife Madlon "Lona" to the village of Reichelsdorf around 1930.

Leo met Martha "Helene" Liebert on a dinner event of the local Agricultural Society in 1933.  His mother Lona had passed away in October of 1934, and Leo and Helene had a simple wedding ceremony in April of 1935.  Helene joined her husband at the father's house in Reichelsdorf, where they lived until 1973. (Photo on right:  Helene with her parents Elise and Theodor Liebert.)

Helene took over a large household,  that included Leo, his father and boarders in the summer who helped with the contracts.  There was a large garden to be maintained for fruits and vegetables, as the village did not have a grocery store in those days and residents had to plan ahead.

While Leo was still working with his father in the decorator business, he was also attending classes and participated in seminars at the Kunstschule in Nürnberg unter Andreas Gering und Hermann Gradl. On April 10, 1938, their son Fritz "Thilo" was born. Thilo did not get to see his father very much in his early years, when Leo was mostly away from the family during World War II, between 1940 and 1946.  This photo taken in 1945 was sent to Leo while he was a POW in Reims, France and after Helene had just found out that her husband Leo was still alive.

On April 11, 1940, 28 year old Leo was drafted to serve in Hitler's Army [Reichsarmee].   However, World War II did not stop Leo from creating some significant master pieces that are coming to light some 60 - 70 years later. Therefore, we created a special section describing this astounding creative period that coincided with a time when the fate of so many was decided by a few.

Back with his family after being released from POW Camp in 1946, Leo took some time to recover and entered his decades-long period of creativity and commissioned works.  Prominent citizens in the neighborhood, such as Mr. Hesselberger, Director of the City's Train System [Bundesbahn] and Mr. Kern, an attorney, had their portraits done by Leo. In addition, his participation in artist associations in the City of Nürnberg, i.e., Künstlerklause, Berufsverband freier Künstler Nürnberg [BBK], Der Kreis (Künstlergruppe), provided him with the connections such as the fellowship of artists Leo Smigay who founded 'Der Kreis' in 1947, and Helle Rossner-Böhnlein who served with Leo Smigay and Leo Birkmann on the board of directors of the BBK.

Professor Gerhard G. Dittrich who founded the BBK and was a prominent architect in the city of Nürnberg was, along with his son Lothar, one of the many subjects of portraits painted by Leo.  Thanks to the efficiency of Leo's wife Helene, we have at least black and white photos available of these portraits. Visit our Portrait Gallery to see more fine works of art.

These connections provided opportunities to participate in projects for the beautification of the city scape and his reputation reached into the cities of Fürth, Bayreuth, Würzburg, Schwabach and a number of smaller townships in the vicinity. Leo often brought a mockup of his proposal to the negotiation table and then proceeded to create the actual commissioned piece. His signature pieces were abstract impressions. Visit our Sculpures and Mosaic galleries to see what Leo has created in his sphere of influence.

	As the custom was in early 20th century and before, Leo had planned that son Thilo would go to training to become a master decorator to join the family business. Thilo, however, would often fall ill from the odor of the paint, while he was an apprentice in the family business.  It became obvious that this was not a choice that Thilo could pursue.
In 1957, Thilo married the beautiful Olga, daughter of Friederike and Karl Briegel who lived in the nearby Nürnberg suburb of Eibach, and pursued a different career to provide for the wife and two daughters, Helen and Anita.

Meanwhile, Leo had established himself as a popular artist in the city of Nürnberg and was able to make a comfortable living by focussing entirely on creative art.
Leo painted landscapes with themes in Alpine landscapes, fall colors, with our without bodies of water, with or without snow, themes from surrounding hamlets in Central Franconia, depending on the requisitions by art galleries who sold to clientel by studying the favorites on the current market.  These were considered his 'bread and butter' pieces—artwork to serve the masses and provide regular income—and were mostly sold painted on canvas, about  15 by 25 inches in size, some larger. The paintings shown above are miniatures on wood slab, about 5 x 7 inches in size.  These beautiful miniatures attest to the talent of the artist who could produce a work of art on any media, using any tool and any type of paint. Visit the Landscapes gallery to view other examples of his versatility of style.

In the 1970s, Leo grew restless. Helene reports in a letter to granddaughter that a recession cut into the business and affected the bottom line, forcing the couple to reach into their retirement fund.  They felt that they needed to consolidate their assets and plan for retirement on a smaller scale, selling the property in the village of Reichelsdorf in search of a place to retire.

With his love of the Alpine region obvious by so many painted themes throughout his career, Leo and Helene opted first for the popular German town of Garmisch-Partenkirchen at the foot of the Zugspitze, Germany's highest Alpine peak, then later for the pictoresque town of Ainring near the Austrian border, just 30 minutes West of Salzburg.  Enjoying a lower cost of living, Leo and Helene spent their last days in Ainring. This photo of Helene and Leo was taken on Helene's birthday on August 8, 1983, just a few weeks before Leo's passing.  Helene followed him in March of 2006.